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Wallace takes a 6 hour trip to
Northern Arizona , to gather his clay on the reservation. He then
soaks his clay and screens the soil to remove the unwanted debris.
The clay then undergoes highly individualized cleaning processes
which involves soaking, screening, drying, and repeated screening
through smaller screens. Most clays require a temper,the addition
of volcanic ash, to prevent cracks during drying & firing.
Once prepared, then clay is placed in a bucket with a lid where
it remains until Wallace is ready to build.
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1. Wallace starts with a hand rolled
coil to build abase into a starter bowl. Gourds are use to smooth
& scrap the clay.
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2. He starts building up by applying a series of hand rolled
coils by pressing, smoothing, and scraping to feel for tiny
air pockets to avoid future cracking.
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3. The process is continued until the
rough form is finished. Keeping the walls even is an important
process.
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4. After smoothing the final form, Wallace
let's it dry for days before any type of sanding can occur. After
sanding, the bowl is smoothed with small amounts of water applied
to it by sponge to remove all scratches. Smoothed stones are then
use to polish on the surface to give a high gloss finish.
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5. Wallace then uses three techniques
to create a timeless work of art. The techniques are carving,
etching & painting. He also uses three forms of natural
paints: clay, vegetal, and mineral. Natural paints offer Wallace
a limited amount of colors to work with. So he uses commercial
ceramic paints also. After days of carving, painting, and etching
the finish work is then fired in an electric kiln. Wallace will
fire his pieces' outdoor on special request only.
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Finished product!
(click picture to see enlarged view)
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©
Wallace
Nez, Jr., 2001-2007, All rights reserved. Last
Update: August 31, 2007
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